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Strange Game

by Virginia Plain

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1.
Jan Song 02:38
O let’s begin with a simple game Where you call my name But no, you don’t even try You have another face You’re gonna walk on by You hold a heavy soul for too long, too long Let go my tired one They’re all gone, they’re all gone And oh, I surmise You’ll have another fate When you’re in the light But no, you don’t even try You’re in another place Your’re gonna walk on by You hold a heavy soul for too long, too long Let go my tired one They’re all gone, they’re all gone
2.
End Game 03:46
You need a quick high when it’s do or die And your locked with the ghost in your room So you find an old pic And ain’t it slick when you’re caught in the light of the moon? And when did she wear that velvet gown? And why did she stand alone? And why are these nights so amplified When there’s nothing left to hold? Turn around now, the game is over Nobody holds the dice Go celebrate with another lover And bask in the light of her eyes If you decide that the fight is over Nobody pays the price So turn around now, the game is over It ends in the light of her eyes You write another letter But one you’ll never send her ‘Cuz it’s signed by the ghost in your room You strike it all out, without a shout She’ll find the time soon And when did you learn to fear the crowd? And why do you stand alone? And why are these nights so amplified When there’s nothing left to hold? Turn around now, the game is over Nobody holds the dice Go celebrate with another lover And bask in the light of her eyes If you decide that the fight is over Nobody pays the price Turn around now, the game is over It ends in the light of her eyes
3.
Resolution 02:50
Runnin’ from all the hype You know the type— Sold on the underground But Johnny comes callin’ Friday night He’s out-of-sight Tell him you’ll be right down Sister, you’re oh so rock-n’-roll-will-save-my-soul You laid it all on the line Johnny you sold your Friday night For second sight She’s leaving you on the line Let’s go, let’s go Drive a fast one and drink coka cola And hold out your hand I’m gonna lead you to the promise land Don’t give a damn Sing “holy, holy, hallelujah” Let’s go, let’s go Join the other side, it’s another high
4.
Darker Train 03:55
Baby if you don’t wanna go for a ride Get off the line Don’t waste our time Another player will discover the high A new attack, we’re goin’ fast So make it last, dole out the cash And don’t look back Never look back Maybe if you don’t wanna turn on the light Don’t go inside, we’re satisfied Moon’s on the rise and we’ve got nothin’ to hide Step on the gas, gone in a flash Like breaking glass, forget the past And don’t look back Never look back We’re going faster... We’re going faster... Baby if you don’t have the nerve for this Well... it’s just as well We live to tell, riding a train destined for Heaven and Hell Take up the slack, jump in the back Turn up the track, let’s fade to black And don’t look back Never look back
5.
Again Again 02:45
Steady she goes Everyone knows What is happening here Steady she goes Everyone knows What is happening here You’ve got to be afraid I’ve got to be afraid You’ve got to be afraid now You’ve got to be afraid I’ve got to be afraid You’ve got to be afraid now Steady she goes Everyone knows What is happening here Steady she goes In borrowed clothes Nobody wants to come near Well, you’ve got to be afraid I’ve got to be afraid You’ve got to be afraid now You’ve got to be afraid I’ve got to be afraid You’ve got to be afraid now
6.
Classical 02:19
7.
Penny 04:27
Penny’s on the go, she never says no See a Penny, pick her up, ask her what she knows Penny’s on the run with a double barrel gun See her on the street and you’ll never see the sun Penny so high, Penny so low We start in double time but end it with a slow-down... on the ground... Penny Penny, Money Money Penny where are you? Right down for a second round... Penny Penny, Money Money Penny where are you? Wait now Money to the left, money to the left, money to the left Now money to the right, y’all Shake it to the left, shake it to the left, shake it to the left Now take it to the right, y’all Maybe we’re high, maybe we’re low We can supply if you’re looking for a slow-down... on the ground... Penny Penny, Money Money Penny where are you? Right down for a second round... Penny Penny, Money Money Penny where are you? Pay now Penny Penny, Money Money Penny where are you...
8.
Trials 03:12
Time your fate With her heartbeat Night and day In stereo When the winter comes We sing all night long When the winter comes We sing all night long Somewhere it’s a holiday, oh let’s go there Find your way With her heartbeat Night and day On the radio When the winter comes We sing all night long When the winter comes We sing all night long Somewhere it’s a holiday, oh let’s go there
9.
He’ll cut you in and he’ll cut you out with a smile With a lovely face and a hidden ace Don’t play the liar, no ‘Cuz you cannot fight what you cannot find in his desire Such a lovely face and a certain grace But he’s just a liar He’ll sign you up and then he’ll turn you ‘round, like a child With his even pace, he’s got time to waste But you’re on the wire, oh Still you cannot fight what you cannot find in your desire Oh my lovely face go find your hidden ace ‘Cuz we’re all on fire
10.
Firetide 04:03
Who will tell you what they will sell you When the goods go under the ground Who will show you the way to the new you When the roads become filled with sound You’re a firetide And it’s a lonely ride Such familiar eyes Let’s be civilized Talk, talk, what a shock, oh what a bore Luck, luck, what a fuck, you’re such a whore Fine, fine, out of mind, I see the door Time, time, out of time You have the floor When you’re tired who stokes the fire Who will shake you up from your bed When you’re tired, we build the fire We will shake it up in the end You’re a firetide And it’s a lonely ride Such familiar eyes Let’s be civilized Talk, talk, what a shock, oh what a bore Luck, luck, what a fuck, you’re such a whore Fine, fine, out of mind, I see the door Time, time, out of time You have the floor
11.
Strange Game 03:50
So you cut off your hair And threw all the boys away Well you don’t need ‘em, They’re just in the way And you shake it at night with the freaks Until the break of day It’s a strange game, it’s a holiday Don’t let the rest of them pull you down tonight I am by your side Come on, let’s go, let’s go Don’t take the fall tonight Time is on your side So you learn all your lines But you always get turned away Well you don’t need ‘em, There ain’t nothin’ to say And you swallow your pride To be tried by the latest craze Such a strange game, Now wouldn’t ya say? Don’t let the rest of them pull you down tonight I am on your side Come on, come on, let’s go Don’t take the fall tonight Time is on your side I said don’t let the rest of them pull you down tonight I am by your side Come on, come on, let’s go Don’t take the fall tonight Time is on your side You’re tryin’ child, to be right But it’s all right, it’s all right who you are You’re tryin’ child, to be right But it’s all right, it’s all right who you are

about

Virginia Plain, a project created by Alfra Martini, has returned.
After appearing on the scene in 2012 with a lone 7” single Virginia Plain vanished like a rock n roll ghost, forever delegated to haunt the jukeboxes of an imaginary future. Fast-forward 6 years Virginia Plain has reappeared with a debut album, entitled 'Strange Game'.

Alter egos are nothing new in music and Martini aligns herself with singers such as Deborah Harry, David Bowie, Madonna, Kate Bush and Bryan Ferry, singers that are unabashed in their drive to project something bigger than themselves. Virginia Plain is mythical, a changeling.

With a stage name taken from a Roxy Music character you could almost imagine her to be any one of the models adorning one of their glossy LP covers. Those images are oddly seductive yet garish as if there’s something darkly hidden beneath all that make up. Martini is an expert at striking the balance between the bawdy and broken hearted. Behind every sly smile there’s a chipped tooth, behind every glittering tear a devilish glance.

Thematically the album reaches into the prisons of solitary confinement and pulls out plucky dreamers and battle-bruised fighters, isolated figures searching for a sort of redemption or acceptance. Half the characters in the album seem to be in a constant state of unrest reaching out to questionable or unattainable goals, while their counterparts (though wary and contemplative) respond with hope and resignation so that the album settles into a perpetual state of interlocution and equivocation – the natural state of the romantic, or perhaps the unending “strange game” of life.

Musically the album has a distinctive range of style. The songs shift between down tempo ballads, to cold and abstract synth-heavy gothic rock, and new romantic 80’s pop. The ballads have a touch of the bittersweet, incorporating husky vocals over austere piano phrases, recalling the work of artists like Portishead or PJ Harvey. The darker electronic songs feel akin to goth divas like Siouxsie Sioux and Peter Murphy, with feisty tounge n’cheek vocals over 808 style drumbeats and intersecting synthesizer melodies. The catchier tracks hold nothing back. They’re emotional and thrilling like the best pop songs from the punk, glam and new wave era. Songs like “Resolution” and “Strange Game” live up to the legacy of Blondie and The Psychedelic Furs.

But supporting it all is Martini center stage crooning like a pre-war Jazz singer or snarling and spitting at the microphone as if possessed. Her voice is imperfect but unique in that it can be both sharp and resonant and fragile but powerful all in the same phrase. Most notably, it is emotive and clear with occasional soaring moments, almost mariachi-like with 80's pop dramatics and an elegant sense of melody.

Playing with the blues as idiom with lyrical observations that cut to the quick Martini is a simplistic but clever writer. Wild mood swings and contradictory couplets abound. These are songs for the desperate and restless. The dark-heart dancers and sleepless romantics.

“And when did she wear that velvet gown
And why did she stand alone?
And why are these nights so amplified
When there’s nothing left to hold?

Turn around now, the game is over
Nobody holds the dice
Go celebrate with another lover
And bask in the light of her eyes”

credits

released December 13, 2019

All songs written by Alfra Martini
Performed, recorded, and produced by Virginia Plain

Virginia Plain is:
Alfra Martini – vocals, synthesizers
Justin Miller – Bass, synthesizers
Robert Boston – piano, synthesizers
Christian Reinhardsen – drums, rhythm machines, guitar, synthesizers
with additional guitar by Zachary Cale.

Mixed & engineered by Ryan Casey and Justin Miller
Mastered by Josh Bonati
Recorded in Brooklyn, NYC in 2013.
Cover Art/Graphic Design: Alfra Martini
Jackets silk screened by Keegan Cooke (Circadian Press).

Lyric insert included.

For more info, photos & videos about the project: VirginiaPlainNYC.com

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Virginia Plain Brooklyn, New York

"Sophisticated, night-people synth pop from NYC."

VIRGINIA PLAIN is a project by singer/songwriter Alfra Martini

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